The Men Who Stare at Goats Movie Reviews

Picture show Review | 'The Men Who Stare at Goats'

Jeff Bridges, left, and George Clooney in the foreground in a scene in

Credit... Laura Magruder/Overture Films
The Men Who Stare at Goats
Directed past Grant Heslov
One-act, War
R
1h 34m

In "The Men Who Stare at Goats" George Clooney wears a heavy mustache and a somewhat shaggier version of the military haircut called a high and tight, 2 adjectives which also depict his performance in this likable, lightweight, absurdist comedy.

Equally Lyn Cassady — a fictional member of an Army unit that was weirder and perhaps truer than most science fiction — Mr. Clooney has shed his cool true cat pare to comprehend his inner clown. Juggling tics, double takes, eyeball bulges and explosive gestures, he leaps in the air and splats in the sand with drawing abandon, buoyed past the jokes and the big bounce of his own distinction.

With his thrusting jaw, Lyn looks equally if he could have been drawn by Milton Caniff, the creator of the comic-strip tough guy Steve Canyon. Instead Lyn has been fatigued in crude if generally constructive strokes by Mr. Clooney and his producing partner, Grant Heslov, who together also wrote "Expert Nighttime, and Good Luck." Mr. Clooney directed that film, but for this one Mr. Heslov has moved behind the camera to brand a somewhat ragged directing debut. Though he never settles into a groove, moving between would-be parody and could-be sincerity, Mr. Heslov does go on the parts more than or less in play, aided by the outlandishness of his story and by the performances of Mr. Clooney, Jeff Bridges and Stephen Lang.

Written by Peter Straughan and based on the nonfiction book by Jon Ronson, also titled "The Men Who Stare at Goats," the moving picture tells parallel stories that finally join. Ane involves a journalist, Bob Wilton (Ewan McGregor), who afterward his matrimony tanks, heads to Iraq to give his life meaning. What he discovers is Lyn, a recruit in the mysterious New Earth Army, an experimental Regular army program centered on parapsychology that was developed past a Vietnam vet, Pecker Django (Mr. Bridges) and pushed into cosmos by the gonzo General Hopgood (Mr. Lang). Realizing that he has the makings of a juicy story, Bob tags later on Lyn, a conclusion that leads him both into Iraq and Lyn'south past in the New Earth Army.

Bill'south initiative, born in the fields of Vietnam and baptized in the hot tubs of the New Age movement, brings together Buddhism, pantheism, militarism and old-fashioned hooey-ism, the thought beingness that war can be waged with love, hawkeye feathers and assorted paranormal techniques — with a few martial arts moves thrown in. Full general Hopgood and Lyn take to the programme with a seriousness adjoining on devotional, partly because Pecker, or rather the irresistible Mr. Bridges, could inspire lemmings of whatsoever genus. His derailed grin and loosey-goosey gestural operation, which brings to heed a modern dance teacher stoned on good vibes, perfectly complements Mr. Lang's spring-loaded turn. (Mr. Lang is having a very nice yr, with roles also in Michael Isle of mann's "Public Enemies" and James Cameron's "Avatar.")

Mr. Clooney doesn't play his part as direct as Mr. Lang or Mr. Bridges and, specially during the flashbacks when he's forced into a sloppy pageboy, he seems to exist enjoying the joke too much. What makes Mr. Lang'southward functioning work so well is its unwavering seriousness: he never lets self-amusement cloud his eyes, or his acting. Not so Mr. McGregor, a predictably bonny if superfluous presence. What makes this a story worth telling, information technology emerges quickly, isn't the announcer but the men who thought they could travel the world or stop a goat's heart with their minds. The journalist hook is an easy manner into the material, but both Bob and the flashbacks, which probably business relationship for some of Mr. Heslov's unsteadiness, get in the manner.

In that location'due south more in the mix, including another New Earth Army member, played by an agreeably malevolent Kevin Spacey, and many goats. (They stare right back, by the style.) They're all fine company, but similar Bob and Lyn's drifting adventures in Iraq, which finds them tooling down dusty roads on a mystery mission, they don't leave much of a trace. There's a curious evanescence to the movie, which while apparently based in truth — it recalls a multimillion-dollar project called Star Gate dedicated to parapsychology research that came to light in the mid-1990s — doesn't add upwardly to anything. It's wacky, amusing. But that's near it. If there are truths to be fatigued from the military's use of men to locate hostages psychically, they're non axiomatic here.

In that location is a Lyn in Mr. Ronson'southward book, Lyn Buchanan, who wrote almost his experience in Star Gate in "The Seventh Sense: The Secrets of Remote Viewing as Told by a 'Psychic Spy' for the U.S. Military." If you call up that sounds outlandish, consider that a document on the Fundamental Intelligence Agency Spider web site claims that the Defense Intelligence Agency has a psychic middle, and that the National Security Agency studies parapsychology. Furthermore, the C.I.A. "reportedly is a fellow member of an Incident Response Squad to investigate U.F.O. landings, if one should occur," the site says. "This team has never met. The lack of solid C.I.A. documentation on Bureau U.F.O.-related activities in the 1980s leaves the unabridged issue somewhat murky for this menses."

"The Men Who Stare at Goats" is rated R (Under 17 requires accompanying parent or adult guardian). Fisticuffs, war violence and 1 psychically sacrificed goat.

THE MEN WHO STARE AT GOATS

Opens on Friday nationwide.

Directed by Grant Heslov; written by Peter Straughan, based on the book past Jon Ronson; manager of photography, Robert Elswit; edited by Tatiana S. Riegel; product designer, Sharon Seymour; produced by George Clooney, Mr. Heslov and Paul Lister; released by Overture Films. Running time: 1 hour 35 minutes.

WITH: George Clooney (Lyn Cassady), Ewan McGregor (Bob Wilton), Jeff Bridges (Pecker Django), Kevin Spacey (Larry Hooper), Stephen Lang (Full general Hopgood), Nick Offerman (Scotty Mercer), Tim Griffin (Tim Kootz), Waleed F. Zuaiter (Mahmud Daash), Robert Patrick (Todd Nixon) and Rebecca Mader (Deborah Wilton).

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Source: https://www.nytimes.com/2009/11/06/movies/06themen.html

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